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"It was Serge's ambition to break the mould of the traditional novel in order to go beyond the limits of the individual self and reach out to that 'vast life that flows through us'. He was thus led to abandon the singular 'I' for the collective 'we' and to replace the individual protagonist with a kind of collective hero. Borrowing techniques from Pilniak, Dos Passos and the French Unanimists, he created a rapid, fluent style incorporating vernacular elements of slang, documentary journalism and cinematographic realism. At the same time, the density of his writing, with its simultaneous presentation of external detail and interior monologue, tends to blur the boundaries between past and present, inner and outer life, permitting occasional flights of what can only be described as a cosmic lyricism." Richard Greeman Click here to read an edited version of Victor Serge and the Novel of Revolution by Richard Greeman |
Les Hommes dans la prison (Editions Reiter, Paris 1930)
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